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Reflections On Another Memorable Chautauqua Experience + TCM Tips

There is nothing like time spent at the Chautauqua Institution to recharge one's batteries and affirm one's belief in life and culture.

 

During the first week of August, I taught again my Baseball and American Culture class on the venerable lovely campus in far southwestern New York State near Jamestown, the site of the National Comedy Center and the Lucy-Desi Museum. (Lucille Ball grew up in nearby Celeron and I am happy to report that since 2016 a new and far better statue of Lucy has been erected.) 

 

My Chautauqua students as always ran the gamut of backgrounds: Houston Astro and Cleveland Indian fans. Devoted lovers of college baseball. A fellow who grew up in the same building where Carl Furillo lived when he starred for Brooklyn's Boys of Summer. A woman whose grandfather played for Connie Mack's Philadelphia A's and whose mother as an infant was held in the arms of Ty Cobb. 

 

My theme this year was that despite the Black Sox scandal, baseball remained dominant through the Jazz Age, the Great Depression, World War II and the first Cold War Years. 

By the 1950s, westward expansion of the major leagues was long overdue, but an enormous wound was inflicted on New York when Walter O'Malley engineered the shift of the Dodgers and Giants to Los Angeles and San Francisco. 

 

I continue to be amazed that WESLEY Branch Rickey never spoke at Chautauqua which was founded after the Civil War as a retreat for Methodist Sunday school teacher. I guess he was too busy building farm systems in three major league cities and doing volunteer work for his alma mater Ohio Wesleyan and his fraternity Delta Tau Delta.

 

I was able to do the next best thing - show my students "The Old Ball Game," a 45-minute documentary about baseball history narrated by Rickey in 1964 a year before his death. It's readily available on YouTube.

 

I was also pleased with the student response when I showed "Elmer the Great" (1933), the second of Joe E. Brown's baseball trilogy. Produced at the height of his fame in the 1930s,  

"Elmer" was Brown's favorite among the dozens of films he made in Hollywood.

 

No wonder. He gets to display his skills as a lefthanded-hitting second baseman that were good enough in his earlier days to attract pro scouts.

 

He brings a tenderness to Elmer Kane that is a needed balance to his other side, the egomaniacal athlete.  "Elmer" was based on Ring Lardner's "Hurry Kane" as was 1935's "Alibi Ike," the third of the baseball trilogy that had young Olivia deHavilland as Brown's love interest and Bill Frawley (the future Fred Mertz in "I Love Lucy") as Brown's manager. ("Fireman, Save My Child," the first in the trilogy, is now also available on DVD.) 

 

As far as seeing live baseball in the Chautauqua area, I missed by one day seeing the Jamestown Tarp Skunks in the Perfect Game Collegiate Baseball League playoffs.  A huge crowd of 1400 saw the Skunks fall one run short of advancing to the final round but its first year of competition was a huge success. 

 

I didn't have easy access to television during my blissful week in Chautauqua, but I did follow at times on my computer the exploits of the plucky underdogs Team Israel and Team USA in the Olympics.  Though Team Israel won only one game in five, they fought valiantly and will savor the experience forever.  

 

It must be noted that the loss of their final game was excruciating.  International rules call for not one "ghost runner" in extra innings but TWO.  With runners on first and second in the bottom of the 10th against South Korea, a relief pitcher threw just two pitches, each one hitting a batter and thus ending Team israel's inspired run.

 

Team USA surprised the pundits by getting all the way to the final game against host Japan.  But in a score identical to the women's softball loss to the Japanese, 2-0, the Americans lost.  Again with nothing to be ashamed of.  

 

The Woerioles have plenty to be ashamed of but I won't go there. Too much to love about life in the dog days of August.  Wide-open race in NL East as Mets fall behind Braves and Phillies.  Second wild-card up for grabs as Padres falter and Reds fitfully make their move.

 

Yankees still very much alive despite gut-wrenching losses.  Games against the Red Sox starting Tu Aug 17 will be important. Oakland still with chance to catch Houston in AL West and holding second wild card at the moment. 

 

Can't stop talking about the Chautauqua experience so here's some more comments.  

The lecture and musical offerings were as always bountiful.

 

My favorite morning lecture was delivered by world-renowned primatologist Frans de Waal, a leader in his field, an entertaining lecturer, and the author of the current book, "Mama's Last Hug" and earlier "Chimpanzee Politics."

 

The Chautauqua Opera Company performed two memorable operas.  "Scalia and Ginsburg," Derrick Wang's witty and incisive one-hour creation, made its debut in 2013 when both late Supreme Court justices and opera lovers were able to attend.  

 

Mezzo-soprano Kelly Guerra as RBG and Chauncey Parker as Scalia inhabited their roles with aplomb. As did the crucial third character, Michael Colman as the Commentator.  I think the role was conceived as a homage to the ominous Commandant in Mozart's "Don Giovanni".

  

"As the 'Cosi' Crumbles," the debut opera, is a humorous examination of what standard opera would look like if the voices were shifted. Although I was disappointed that the beautiful trio, "May the Winds Be Gentle," from Mozart's "Cosi Fan Tutte," was not part of the production, I thoroughly enjoyed the idea of singers getting the chance singing arias written for different voices.  

 

The selections from "Madame Butterfly" were particularly moving. Burly stentorian baritone Yazid Gray's rendition of "Cara Nome" from "Rigoletto" was memorable. A bluesy back beat in the final measures added to the fun and frolic.  

 

After singing Scalia, Chauncey Parker directed "Cosi Crumbles". Kelly Guerra and Michael Colman were again in the cast along with spectacular soprano Chasiti Lashay, tenor Jared Esquerra and baritone Yazid Gray.  

 

Overall director Cara Consilvio has put together an impressive staff. Steven Osgood conducted both operas and gave informative introductions. The original music for "Cosi Crumbles" was created by Jasmine Barnes, Sage Bond, and Frances Pollock.

 

Pollock's seven-minute piece, "God is Dead, Schoenberg Is Dead, But Love Will Come," was premiered with the excellent Chautauqua Orchestra conducted by Rossen Milanov on Thursday night August 5.  She mixes effectively mournful strains composed during the height of the pandemic with fragments of "Smile," the song created by Charlie Chaplin for his classic 1936 film "Modern Times."   

 

Before I close, here are some tips for TCM viewing in the weeks while Eddie Muller's Noir Alley is off for "Summer of Stars" programming. He returns on Sep 5 - see below. 

 

There are not many films with sports themes remaining in August but bearing mention are:

W Aug 18 530p "The Natural" (1984) based on the Bernard Malamud story with Robert Redford, Kim Basinger and Glenn Close.

 

Sa Aug 21 2p "Woman of the Year" (1942), the first Tracy-Hepburn collaboration with Spencer as a sportswriter and Katherine as world-traveling journalist (inspired by Dorothy Thompson)

 

For Noir devotees and esp. Gloria Grahame fans, catch this binge-fest!

Tu Aug 17 4p "Odds Against Tomorrow" (1959, set on location in NYC and Hudson NY)

6p "Human Desire" (1954 with Glenn Ford, Broderick Crawford, dir. by Fritz Lang)

8p "The Big Heat" (1953 with G.Ford, Jocelyn Brando - Marlon's sister -, dir. by Lang)

10p "In A Lonely Place" (1950, Bogart as temperamental writer, Frank Lovejoy/Jeff Donnell as his friends, Grahame in key substantial role as Bogie's girlfriend - dir. by Nicholas Ray).

 

Su Aug 22 1245p "Witness for the Prosecution" (1957) twists galore in this classic based on Agatha Christie story and directed by Billy Wilder.  With Marlene Dietrich, Charles Laughton, Tyrone Power, that suave sinister character actor Henry Daniell, and others. 

 

8p "Blood and Sand" (1941) T. Power returns and has to deal with Linda Darnell and Rita Hayworth - it's a hard job but someone had to do it.  Dir. Reuben Mamoulian of NY stage.

 

M Aug 23 12:15a  Power again as a carnival performer in "Nightmare Alley" (1947)

945a "At The Circus" (1939) the Marx Brothers in not one of their best but Eve Arden is in it

 

W Aug 25  Jane Wyman Day has 4p Hitchcock's "Stage Fright" (1958)

8p "Johnny Belinda" (1948) Wyman's Oscar

 

Tu Aug 26 10p "The Mating Game" (1959) with Debbie Reynolds and Tony Randall.  Probably Paul Douglas's last film. He had signed for Wilder's "Apartment" but died and Fred MacMurray got the role as the louse. 

 

F Aug 27 215a  "Night Song" (1947) Dana Andrews as blind concert pianist, Merle Oberon pretends to be blind to get close to him.  Hoagy Carmichael/Artur Rubinstein perform.

 

Sa Aug 28  late 1960s shoot-em-ups for the Vietnam era starring Lee Marvin and others

8p "Point Blank" dir. John Boorman with Angie Dickinson and post-Bat Guano Keenan Wynn

10p "The Professionals" dir. Richard Brooks

 

Sun Aug 29  3:45p  Hitchcock's "Gaslight" with I. Bergman/G. Peck/Ch. Boyer

6p "Casblanca" (1943)

 

M Aug 30 James Cagney Day incl. 12N "Midsummer Night's Dream" (1935) with cast of

stars including Mickey Rooney as Puck, Olivia DeHavilland, and Joe E Brown stealing show as Flute

4p "White Heat" (1949) the post-World War II Cagney gangster.  In prison dining scene look for Jim Thorpe as an extra.

 

Tu Aug 31 8p "Best Years of Our Lives" (1946) - still hard not to cry and sigh at this one 

Th Sep 2 8p "The Comic" Carl Reiner directs Dick Van Dyke, Michele Lee, Mickey Rooney

 

Su Sep 5 12M, repeated at 10A - return of Noir Alley - Robert Preston in "Cloudburst" (1952)

 

That's all for now.  As always, take it easy but take it, and please: 

STAY POSITIVE, TEST NEGATIVE

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Reflections on Getting My Pfizer Vaccine + In Memory of Sam Nader & Tom Konchalski (revised, 2-16 with late Feb TCM tips)

On Lincoln's Birthday Feb 12 - it also would have been my mother's 119th birthday - I received my second Pfizer vaccine.  I was in and out of Mount Sinai Morningside - the former St. Lukes near the Columbia campus - in less than 45 minutes, including the 15-minute waiting period after the shot to make certain there were no adverse reactions.  

 

I really feel for the enormous number of people that have had to travel tens to hundreds of miles for their shots. Let's hope that a more streamlined public health service can be created under our new national Biden administration.

 

The nurse who gave me the second shot was very business-like and helpful.  I didn't really expect the unexpected praise that I heard before my first shot - when the nurse, a newcomer to NYC from Albuquerque, thought I looked closer to 50 than 78. If only it were true.  If only. 

 

It was fitting that I received the Pfizer vaccine because it brought back memories of John L. Smith, the Pfizer president in the 1930s and 1940s who was also an actively involved chemist.   Smith was also the treasurer and the wealthiest partner of the Brooklyn Dodgers as the internal war between the other partners, Branch Rickey and Walter O'Malley, began to build. 

 

While working on experiments to develop penicillin, Scottish scientist Alexander Fleming became a friend of Smith and fascinated by American baseball. Smith was reportedly first diagnosed with lung cancer in 1946 but evidently went into remission.  

 

Gifted NY "Herald Tribune" sportswriter Harold Rosenthal loved to discuss science and medicine with John L. Smith.  He thought it a tragedy that mass production of the miracle drug penicillin or perhaps some other new invention did not occur until it was too late to save the life of Smith whose cancer returned and he died during the AllStarGame break in July 1950.

   

When Smith's widow Mary Louise awarded her voting shares to O'Malley, Rickey's departure was foreordained and he left Brooklyn for Pittsburgh after the 1950 season.  The tragedy for Brooklyn Dodger fans occurred seven years later when O'Malley uprooted the franchise for the greener pasture$ of Los Angeles. 

 

I discuss the story in my essay, "The Two Titans and the Mystery Man," in the Joseph Dorinson/Joram Warmund edited volume, SPORT RACE AND THE AMERICAN DREAM (M.E.Sharpe), and in my biography, BRANCH RICKEY: BASEBALL'S FEROCIOUS GENTLEMAN

(U of Nebraska Press).  

 

(This is not the time or place to discuss whether Robert Moses was also a culprit in the Dodgers departure to Los Angeles. Sure he was, but I do firmly believe had Smith lived, that wound in the heart of Brooklyn might have been avoided.)    

 

I dearly hope that the Pfizer vaccine will take hold in the marrow of yours truly.  If it does,

I dedicate its healing graces to loyal Brooklynite John Lawrence Smith, who lived near Ebbets Field and was a great supporter of baseball, amateur sports, and local charities.   

 

He was a rare owner who wasn't into baseball to make money but to provide service to the local community. Rex Barney, Dodger pitcher and later Oriole public address announcer, told me that

Smith would come into the Sunday clubhouse waving pennants to lift up team spirits.  

 

Speaking of special owners, longtime Oneonta minor league owner Sam Nader passed away on Monday Feb 8 at the age of 101. In the 1980s, I fell in love with the New York-Penn League franchise located in the Otsego County seat scarcely a half-hour south of Cooperstown.  

 

When I first saw games in Oneonta, the staff of Sam Nader, previously a four-term mayor of the city, included his wife Alice and his three children, Suzanne, John, and Alice Adele.   Sam supervised the cooking of hot dogs, and "boy, they are good," I remember his justified praise.  

 

Oneonta was where Don Mattingly and Willie McGee broke into pro baseball.  Oneonta was where Buck Showalter first played and then managed.  I'll never forget Sam telling me at the time that Showalter one day would be Yankee manager.   

 

In 1982 John Elway hit .318 as a O-Yank right fielder, and led the team in every offensive category, including stolen bases.  Elway and his father Jack, a renowned West Coast football coach, were not happy that the Baltimore Colts had drafted John for football.

 

They did not like the methods of Colts coach Frank Kush when his Arizona State Sun Devils played against John Elway qb-ing Stanford. (In a fascinating aside, Jack Elway later coached Stanford with middling success but coaching San Jose State he beat his son's Stanford twice.)

 

If only the Colts had known about the Elways' antipathy towards Kush, a new coach could have been named, Elway signed, and no more Colts move to Indianapolis in the middle of the night early in 1984. Ah, "If" history yet again.

 

It was John Elway's only pro baseball experience but it was a memorable experience for him and the fans. There were few home runs evelr hit in Oneonta's spacious Damaschke Field but it was a great place to watch pitching and defense and savor the beauty of the restorative hill behind the left field fence.  Adding to Damaschke's charm, it was located within the picturesque public Neawha Park. 

 

Sam Nader was the youngest of six children of Elias Nader and Rose Rajah who emigrated from a mountain village near Beirut, Lebanon in 1909. As Mark Simonson noted in a long and moving article in the Oneonta "Daily Star," updated on Feb 13, Elias did not pass an American eye exam in France so the couple traveled to Brazil for two years where they had cousins.

 

Once he passed the exam, they settled in Oneonta where another cousin already lived. The Naders grew up not far from the railroad tracks, nicknamed the "lower deck" of the town. Through hard work and grit and an endearing love of people, Sam rose to become a pillar of the community.  An affordable housing complex, Nader Towers, honors him, and the Oneonta airport is named after him. 

 

Oneonta had been without minor league baseball since 1952 when Sam led the forces to bring the Red Sox to town in 1967.  In a time of social turmoil, Sam thought that baseball would be a unifying force for all ages.  

 

When the Yankees expressed interest in coming to town, Sam leaped at the chance because he was a longtime Yankee fan. He developed a close bond with George Steinbrenner once he bought the Yankees in 1973.

 

When Steinbrenner in 1998 as a favor to then-Mayor Rudolph Guiliani agreed to move the franchise to a brand new $70 million plus stadium on Staten Island in 1998, the Boss wanted Sam to come along.  No way lifelong Oneonta native Nader would leave.  

 

In its last years it became a Tigers franchise, aiding most famously in the development of future Yankee and Met outfielder Curtis Granderson. After 2009 the franchise was moved to Norwich, Connecticut on Long Island Sound. 

 

As Mark Simonson notes, Sam once expressed very beautifully his parting advice to Oneonta players:  "When you leave here, leave with a pleasant memory, and if you go on, always remember us because we'll always remember you."  

 

The likes of Sam Nader will sorely be missed.  Please don't forget him at a time when not only is Oneonta long gone from the minor leagues, but the whole New York-Penn League has been disbanded as well as several other leagues and forty teams discarded in all.    

 

The Staten Island Yankees are defunct and its stadium now lies vacant. It is hard to envision much commerce flocking to the new shopping mall adjacent to the stadium.  

 

The owners of the S. I. Yankees are suing MLB for its abandonment. So are the owners of the Trenton Thunder whose Double-A franchise was moved to the more lucrative suburban Bridgewater NJ area and will play in the Somerset Patriots independent league ballpark.

 

MORE SADNESS IN THE NEWS:

We lost another special person in the world of sports last week with the death of basketball scout Tom Konchalski, 74.  I never met Tom but I would see him after games in the area. He always sat in the top row away from scrutiny. 

 

He never learned to drive but his knowledge of players was so encyclopedic that writers loved to volunteer as chauffeurs to be able to pick his mind.  His typewritten High School Basketball Report was must reading for coaches at all levels of the game.

 

He was responsible for many players getting chances at Divsion II and III schools.  He appreciated Jay Wright as much for his career playing at Bucknell than his national titles coaching Villanova.

 

Like so many great scouts, he never denigrated a player's ability. His most severe criticism was: "He wasn't a genuine fit" for a program.  

 

A fine column by Roger Rubin in newsday.com quoted from some of his pithy reports:

On Jamal Mashburn, who went to Kentucky (and whose son now is a Minnesota reserve): 

He has "the body of a blacksmith and the touch of a surgeon."  

 

On Anfernee "Penny" Hardaway:  "Dishes like Julia, delivers like Dominos."  

 

Another loss in the basketball world recently was John Chaney, 89, who brought Temple in Philadelphia to national renown.  I'm tired of learning about these departures, but at least these men lived full and rewarding lives. May our memories of them always be a blessing.

 

Before I end this post, here are some of my TCM recommendations for late Feb: 

 

Fri Feb 19 8P a classic 1950 noir "Gun Crazy" followed at 945p by a classic in women's awakening - "Thelma and Louise" with Susan Sarandon and Geena Davis (shortly before her

memorable take on Dottie Hinson in "A League of Their Own")

 

Sat Feb 20 12M, repeated Sun at 10A "Native Son" (1950) starring author Richard Wright in title role as Bigger Thomas. Remastered by Eddie Muller who will intro and outro film as part of Noir Alley series.

 

Sun Feb 21 3:15p  Billy Wilder's "The Fortune Cookie" (1966) first pairing of Walter Matthau and Jack Lemmon with scenes shot on the Cleveland Browns football field at Municipal Stadium. Not vintage Wilder but hard to beat the Lemmon-Matthau timing. Matthau won Oscar for portrayal of shyster lawyer.  (I didn't have a vote - LOL.) 

 

Wed Feb 24 10A "Hollywood Canteen" 1944 USO film with soldiers returning on furlough to meet such movie stars as Bette Davis, John Garfield, Ida Lupino and Dane Clark.  Watch for Joe E Brown's dance and Jack Benny sparring on violin with Joseph Szigeti.   

 

Fri Feb 26 630A  Ernst Lubitsch's "Ninotchka" (1939) - Melvyn Douglas woos serious Russian comrade played by Greta Garbo.  Wonderful character actors Felix Bressart,  Sig Rumann add much to the flavor.  Billy Wilder worked on it and you can see how he learned from the master how to get comedy out of very serious material.

 

Later on Feb 26 at 5p Vincent Price in "The Mad Magician" (1954) - first time I will see it since it scared the hell out of me when I first saw on TV in the 1950s.

 

Sa Feb 27 12N  "Knute Rockne" (1940) Hollywood's take on the coaching legend starring Pat O'Brien with tramp athlete George "Win One For The Gipper" Gipp played by some actor named Ronald Reagan.

 

Sa Feb 27 12M repeated Sun at 10A - Robert Wise's "Odds Against Tomorrow" (1960) intro'd and outro'd again by Eddie Muller. One of the great NYC movies, jazz movies, and overall A-one movies.  Music composed by John Lewis of Modern Jazz Quartet. Harry Belafonte and Robert Ryan, genuine liberals off-screen, play bank robbers who hate each other for black-white reasons.  Ex-cop Ed Begley Sr. plays the mastermind. 

 

Su Feb 28  345p Blake Edwards's "Days of Wine and Roses" (1962) with Lemmon and Lee Remick as the alcoholic lovers and Charles Bickford as her stern father

 

month ends at 10p Martin Ritt's "The Front" (1976) - one of the best if not the best movie about the blacklist. Woody Allen fronts for Zero Mostel. Cast also includes Andrea Marcovicci and Michael Murphy.

 

That's all for now.  Always remember: Take it easy but take it! 

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